Shaded (feat. Krister)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 5:05
- Released
- 2004
- Album
- The Architect
- Genre
- Techno
- Label
- Truesoul
- Loudness
- -6.2 dB
- Dynamics
- 9.7 dB
- ISRC
- GBYNV1000524
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shadedoriginal12A · 140
- Shaded - Clouded Vision's Acid Dubversion1A · 120
- Shaded - Compuphonic & Kolombo Remixremix4A · 128
- Shaded - Jesper Dahlbäck's Lost Remixremix1B · 132
- Shaded - Shaded Compuphonic & Kolombo Dubversion3B · 128
At 140 BPM in D♭ minor (12A), Shaded (feat. Krister) is a driving up-tempo techno production. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2004 production that still circulates in sets. More underground than 99% of Cari Lekebusch's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 96% of Cari Lekebusch's catalogue
- Low end:
- more treble-tilted than 96% of Cari Lekebusch's catalogue
- Groove:
- less groove-driven than 95% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Shaded (feat. Krister) in?
Shaded (feat. Krister) by Cari Lekebusch is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Shaded (feat. Krister)?
Shaded (feat. Krister) runs at 140 BPM, a driving up-tempo track.
What mixes well with Shaded (feat. Krister)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Shaded (feat. Krister) good for peak time?
With energy 89 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 140 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
