Barbarella 2000 by Sven Väth cover art

Barbarella 2000

Sven Väth

30s preview

Key
11A · F♯ minor
BPM
140
Half-time
70
Open Key
4m
Energy
75/100
Pop
2/100
Length
6:23
Released
1992
Album
The Art of Dance
Genre
Techno
Loudness
-14.9 dB
Dynamics
15.4 dB
ISRC
DEQ200800041

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Barbarella 2000 sits in F♯ minor (11A) at 140 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 1992 production that still circulates in sets. Faster than 80% of Sven Väth's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood58Balanced
Groove73
Acoustic0
Instrumental81
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Barbarella 2000 in?

Barbarella 2000 by Sven Väth is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Barbarella 2000?

Barbarella 2000 runs at 140 BPM, a driving up-tempo track.

What mixes well with Barbarella 2000?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Barbarella 2000 good for peak time?

With energy 75 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track