L'esperanza - Ame Reinterpretation
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 47/100
- Pop
- 27/100
- Length
- 8:36
- Released
- 2014
- Album
- L'esperanza Reinterpretation
- Genre
- Tech House
- Label
- Cocoon Recordings
- Loudness
- -14.0 dB
- Dynamics
- 13.5 dB
- ISRC
- DEQ201401317
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- L'esperanzaoriginal8A · 112
- L'Esperanza - Hardspace Mixoriginal11A · 135
- L'Esperanza - Original Album Version - 2024 Remasteroriginal8A · 112
- L'Esperanza - Doub Mix - 2024 Remasteroriginal9B · 120
- L'Esperanza - Derrick Carter Remixremix3A · 128
- L'Esperanza - M. Mayer Editversion10A · 134
L'esperanza - Ame Reinterpretation: club-tempo tech house, D major (10B), 123 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Better known than 95% of Sven Väth's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 83% of Sven Väth's catalogue
- Brightness:
- darker than 83% of Sven Väth's catalogue
- Tempo:
- slower than 81% of Sven Väth's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is L'esperanza - Ame Reinterpretation in?
L'esperanza - Ame Reinterpretation by Sven Väth is in D major, or 10B on the Camelot wheel.
What BPM is L'esperanza - Ame Reinterpretation?
L'esperanza - Ame Reinterpretation runs at 123 BPM, a club-tempo track.
What mixes well with L'esperanza - Ame Reinterpretation?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is L'esperanza - Ame Reinterpretation good for peak time?
With energy 47 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Sven Väth
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
