Goodbye by Kölsch cover art

Goodbye

Kölsch

30s preview

Key
8A · A minor
BPM
123
Open Key
1m
Energy
50/100
Pop
6/100
Length
11:08
Released
2017
Album
Speicher 97
Genre
Techno
Label
Kompakt Extra
Loudness
-11.8 dB
Dynamics
13.2 dB
ISRC
DEU671700052

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Goodbye is a club-tempo techno track in A minor (8A) at 123 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Calmer than 87% of Kölsch's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 87% of Kölsch's catalogue
Low end:
more bass-heavy than 86% of Kölsch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood18Dark
Groove64
Acoustic0
Instrumental78
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Goodbye in?

Goodbye by Kölsch is in A minor, or 8A on the Camelot wheel.

What BPM is Goodbye?

Goodbye runs at 123 BPM, a club-tempo track.

What mixes well with Goodbye?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Goodbye good for peak time?

With energy 50 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More techno

More from Kölsch

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track