Where Does It All Begin? - Alex Niggemann Remix
30s preview
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 52/100
- Pop
- 3/100
- Length
- 7:39
- Released
- 2024
- Album
- Where Do We All Begin?
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 10.1 dB
- ISRC
- DEU672400127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in E minor (9A), Where Does It All Begin? - Alex Niggemann Remix is a club-tempo tech house production. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Less groove-driven than 90% of Alex Niggemann's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 88% of Alex Niggemann's catalogue
- Reach:
- better known than 82% of Alex Niggemann's catalogue
- Low end:
- more bass-heavy than 79% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Where Does It All Begin? - Alex Niggemann Remix in?
Where Does It All Begin? - Alex Niggemann Remix by Alex Niggemann is in E minor, or 9A on the Camelot wheel.
What BPM is Where Does It All Begin? - Alex Niggemann Remix?
Where Does It All Begin? - Alex Niggemann Remix runs at 123 BPM, a club-tempo track.
What mixes well with Where Does It All Begin? - Alex Niggemann Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Where Does It All Begin? - Alex Niggemann Remix good for peak time?
With energy 52 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
