Ray (Re-Incarnation) by Adriatique cover art

Ray (Re-Incarnation)

Adriatique

30s preview

Key
8A · A minor
BPM
123
Open Key
1m
Energy
53/100
Pop
16/100
Length
6:33
Released
2018
Genre
Progressive House
Loudness
-11.4 dB
Dynamics
10.4 dB
ISRC
DEEC31850127

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Ray (Re-Incarnation) runs 123 BPM in A minor (8A), a club-tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 78% of Adriatique's catalogue.

Groove:
less groove-driven than 78% of Adriatique's catalogue
Low end:
more bass-heavy than 78% of Adriatique's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood33Dark
Groove64
Acoustic16
Instrumental78
Live25
Speech3
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Ray (Re-Incarnation) in?

Ray (Re-Incarnation) by Adriatique is in A minor, or 8A on the Camelot wheel.

What BPM is Ray (Re-Incarnation)?

Ray (Re-Incarnation) runs at 123 BPM, a club-tempo track.

What mixes well with Ray (Re-Incarnation)?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Ray (Re-Incarnation) good for peak time?

With energy 53 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More progressive house

More from Adriatique

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track