Stems From Hackney
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 53/100
- Pop
- 0/100
- Length
- 4:27
- Released
- 2012
- Genre
- Tech House
- Loudness
- -14.9 dB
- Dynamics
- 17.8 dB
- ISRC
- GB7NR1218207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stems From Hackney: club-tempo tech house, C major (8B), 123 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2012 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Jamie Jones's catalogue
- Groove:
- groovier than 81% of Jamie Jones's catalogue
- Tempo:
- slower than 79% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 60%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 1%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Stems From Hackney in?
Stems From Hackney by Jamie Jones is in C major, or 8B on the Camelot wheel.
What BPM is Stems From Hackney?
Stems From Hackney runs at 123 BPM, a club-tempo track.
What mixes well with Stems From Hackney?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Stems From Hackney good for peak time?
With energy 53 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
