La Musa (with Miluhska)
30s preview
- Key
- 4A · F minor
- BPM
- 129
- Open Key
- 9m
- Energy
- 84/100
- Pop
- 55/100
- Length
- 3:04
- Released
- 2024
- Genre
- Tech House
- Loudness
- -6.3 dB
- Dynamics
- 9.5 dB
- ISRC
- QZUCN2201849
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- La Musa - Andruss Remixremix4A · 130
- La Musa - Bontan Remixremix2B · 125
- La Musa - Coco & Breezy Remixremix4A · 128
- La Musa (with Miluhska) - Adam Ten & Rafael Remixremix3A · 124
- La Musa (Francis Mercier remix)remix3A · 120
At 129 BPM in F minor (4A), La Musa (with Miluhska) is a peak-time tempo tech house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Jamie Jones's catalogue.
- Tempo:
- faster than 92% of Jamie Jones's catalogue
- Groove:
- groovier than 83% of Jamie Jones's catalogue
- Energy:
- hotter than 81% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is La Musa (with Miluhska) in?
La Musa (with Miluhska) by Jamie Jones is in F minor, or 4A on the Camelot wheel.
What BPM is La Musa (with Miluhska)?
La Musa (with Miluhska) runs at 129 BPM, a peak-time tempo track.
What mixes well with La Musa (with Miluhska)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is La Musa (with Miluhska) good for peak time?
With energy 84 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 129 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
