All That Matters - ARTBAT Remix Radio Edit
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 82/100
- Pop
- 48/100
- Length
- 5:15
- Released
- 2023
- Album
- All That Matters (Artbat Remix)
- Genre
- Progressive House
- Label
- Kompakt
- Loudness
- -7.1 dB
- Dynamics
- 16.1 dB
- ISRC
- DEU672300720
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All That Mattersoriginal8A · 125
- All That Matters - Radio Editversion8A · 124
- All That Matters - Kryder Radio Editversion8A · 128
- All That Matters - Kryder Remixremix8A · 128
- All that Matters - Symphony of Unity - strings reimaginedoriginal8A · 125
- All That Matters (feat. Troels Abrahamsen) - Kryder Radio Editversion8A · 128
Against the original (8A at 125 BPM), this version holds the same tempo and moves the key from 8A to 8B.
All That Matters - ARTBAT Remix Radio Edit runs 125 BPM in C major (8B), a club-tempo progressive house record. It reads as dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). Better known than 98% of Kölsch's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Kölsch's catalogue
- Brightness:
- darker than 81% of Kölsch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All That Matters - ARTBAT Remix Radio Edit in?
All That Matters - ARTBAT Remix Radio Edit by Kölsch is in C major, or 8B on the Camelot wheel.
What BPM is All That Matters - ARTBAT Remix Radio Edit?
All That Matters - ARTBAT Remix Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with All That Matters - ARTBAT Remix Radio Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is All That Matters - ARTBAT Remix Radio Edit good for peak time?
With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Kölsch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
