Those Were the Days (Cristoph Remix) by Cristoph cover art

Those Were the Days (Cristoph Remix)

Cristoph

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
82/100
Pop
4/100
Length
6:12
Released
2019
Genre
Tech House
Loudness
-6.2 dB
Dynamics
9.1 dB
ISRC
GB5KW1903271

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Those Were the Days (Cristoph Remix) sits in B♭ minor (3A) at 125 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood35Balanced
Groove68
Acoustic8
Instrumental57
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Those Were the Days (Cristoph Remix) in?

Those Were the Days (Cristoph Remix) by Cristoph is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Those Were the Days (Cristoph Remix)?

Those Were the Days (Cristoph Remix) runs at 125 BPM, a club-tempo track.

What mixes well with Those Were the Days (Cristoph Remix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Those Were the Days (Cristoph Remix) good for peak time?

With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Cristoph

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track