Turning Away by Cristoph cover art

Turning Away

Cristoph

30s preview

Key
9B · G major
BPM
125
Open Key
2d
Energy
97/100
Pop
47/100
Length
4:05
Released
2022
Genre
Progressive House
Label
Consequence Of Society Recordings
Loudness
-7.2 dB
Dynamics
16.6 dB
ISRC
GBKQU2265119

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo progressive house cut, Turning Away sits in G major (9B) at 125 BPM. The master keeps unusual dynamic range for club music (crest 17 dB). Darker than 99% of Cristoph's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 99% of Cristoph's catalogue
Energy:
hotter than 96% of Cristoph's catalogue
Groove:
less groove-driven than 96% of Cristoph's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood4Dark
Groove54
Acoustic1
Instrumental35
Live68
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Turning Away in?

Turning Away by Cristoph is in G major, or 9B on the Camelot wheel.

What BPM is Turning Away?

Turning Away runs at 125 BPM, a club-tempo track.

What mixes well with Turning Away?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Turning Away good for peak time?

With energy 97 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Cristoph

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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