I Will Find You - Charles D Remix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 37/100
- Length
- 4:49
- Released
- 2025
- Album
- FaCet, Vol. 5.1
- Genre
- Tech House
- Loudness
- -5.4 dB
- Dynamics
- 9.9 dB
- ISRC
- GXFNP2500044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Will Find Youoriginal1A · 124
Against the original (1A at 124 BPM), this version runs 4 BPM faster and moves the key from 1A to 3A.
I Will Find You - Charles D Remix: peak-time tempo tech house, B♭ minor (3A), 128 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 98% of Cristoph's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of Cristoph's catalogue
- Reach:
- better known than 94% of Cristoph's catalogue
- Groove:
- less groove-driven than 81% of Cristoph's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Will Find You - Charles D Remix in?
I Will Find You - Charles D Remix by Cristoph is in B♭ minor, or 3A on the Camelot wheel.
What BPM is I Will Find You - Charles D Remix?
I Will Find You - Charles D Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with I Will Find You - Charles D Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is I Will Find You - Charles D Remix good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Cristoph
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
