Sorry (with Madonna) - Franky Rizardo Remix
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 96/100
- Pop
- 54/100
- Length
- 3:15
- Released
- 2023
- Album
- Sorry (with Madonna) [Franky Rizardo Remix]
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 10.9 dB
- ISRC
- NL8RL2317346
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sorry (with Madonna) - Franky Rizardo Remix is a peak-time tempo house track in F minor (4A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 98% of Franky Rizardo's catalogue.
- Reach:
- better known than 97% of Franky Rizardo's catalogue
- Energy:
- hotter than 91% of Franky Rizardo's catalogue
- Brightness:
- brighter than 77% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Sorry (with Madonna) - Franky Rizardo Remix in?
Sorry (with Madonna) - Franky Rizardo Remix by Franky Rizardo is in F minor, or 4A on the Camelot wheel.
What BPM is Sorry (with Madonna) - Franky Rizardo Remix?
Sorry (with Madonna) - Franky Rizardo Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Sorry (with Madonna) - Franky Rizardo Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Sorry (with Madonna) - Franky Rizardo Remix good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
