Make My Body Move
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 70/100
- Pop
- 50/100
- Length
- 3:19
- Released
- 2024
- Album
- Make My Body Move (Radio Edit)
- Genre
- House
- Loudness
- -9.8 dB
- Dynamics
- 11.8 dB
- ISRC
- NLML62400017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Make My Body Move sits in C minor (5A) at 132 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 97% of Franky Rizardo's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 95% of Franky Rizardo's catalogue
- Groove:
- less groove-driven than 84% of Franky Rizardo's catalogue
- Energy:
- calmer than 78% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Make My Body Move in?
Make My Body Move by Franky Rizardo is in C minor, or 5A on the Camelot wheel.
What BPM is Make My Body Move?
Make My Body Move runs at 132 BPM, a peak-time tempo track.
What mixes well with Make My Body Move?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Make My Body Move good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
