Crush by Biscits cover art

Crush

Biscits

30s preview

Key
4A · F minor
BPM
132
Open Key
9m
Energy
80/100
Pop
49/100
Length
3:01
Released
2025
Genre
Tech House
Loudness
-6.1 dB
Dynamics
14.6 dB
ISRC
US38Y2529373

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Crush: peak-time tempo tech house, F minor (4A), 132 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). Faster than 95% of Biscits's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 94% of Biscits's catalogue
Low end:
more treble-tilted than 85% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood72Bright
Groove80
Acoustic2
Instrumental5
Live52
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Crush in?

Crush by Biscits is in F minor, or 4A on the Camelot wheel.

What BPM is Crush?

Crush runs at 132 BPM, a peak-time tempo track.

What mixes well with Crush?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Crush good for peak time?

With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

More from Biscits

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track