Don't Wake Me Up - Mathame Remix
- BPM
- 132
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 20/100
- Length
- 3:45
- Released
- 2025
- Album
- Don't Wake Me Up (Mathame Remix)
- Genre
- Tech House
- Loudness
- -6.4 dB
- ISRC
- GBUM72503060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wake Me Uporiginal5A · 130
- Don't Wake Me Up - Agents Of Time Remixremix5A · 130
- Don't Wake Me Up - Martin Ikin Remixremix4B · 130
- Don't Wake Me Up - Shimza Remixremix4B · 120
- Don't Wake Me Up (extended mix)version8B · 130
- Don't Wake Me Up - Jesse Bloch Remixremix5A · 145
Against the original (5A at 130 BPM), this version runs 2 BPM faster and moves the key from 5A to 3A.
Don't Wake Me Up - Mathame Remix: peak-time tempo tech house, B♭ minor (3A), 132 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 92% of James Hype's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 92% of James Hype's catalogue
- Tempo:
- faster than 90% of James Hype's catalogue
- Energy:
- calmer than 86% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wake Me Up - Mathame Remix in?
Don't Wake Me Up - Mathame Remix by James Hype is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Don't Wake Me Up - Mathame Remix?
Don't Wake Me Up - Mathame Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Don't Wake Me Up - Mathame Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Don't Wake Me Up - Mathame Remix good for peak time?
With energy 75 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
