Try Minus 10 by Kevin Over cover art

Try Minus 10

Kevin Over

30s preview

Key
10A · B minor
BPM
132
Open Key
3m
Energy
78/100
Pop
0/100
Length
6:48
Released
2020
Album
We_R House 06
Genre
Tech House
Loudness
-9.1 dB
Dynamics
10.9 dB
ISRC
DEY472080545

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Try Minus 10 sits in B minor (10A) at 132 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Kevin Over's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 97% of Kevin Over's catalogue
Low end:
more bass-heavy than 88% of Kevin Over's catalogue
Brightness:
darker than 79% of Kevin Over's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood24Dark
Groove78
Acoustic0
Instrumental82
Live4
Speech23

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Try Minus 10 in?

Try Minus 10 by Kevin Over is in B minor, or 10A on the Camelot wheel.

What BPM is Try Minus 10?

Try Minus 10 runs at 132 BPM, a peak-time tempo track.

What mixes well with Try Minus 10?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Try Minus 10 good for peak time?

With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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