Vertigo - Marco Faraone Remix
30s preview
- BPM
- 132
- Open Key
- 3d
- Energy
- 78/100
- Pop
- 13/100
- Length
- 7:08
- Released
- 2019
- Album
- Vertigo
- Genre
- Tech House
- Label
- NM2
- Loudness
- -9.2 dB
- Dynamics
- 8.0 dB
- ISRC
- GBTEZ1901121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Vertigooriginal11B · 125
Against the original (11B at 125 BPM), this version runs 7 BPM faster and moves the key from 11B to 10B.
At 132 BPM in D major (10B), Vertigo - Marco Faraone Remix is a peak-time tempo tech house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 90% of Kevin de Vries's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 83% of Kevin de Vries's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Vertigo - Marco Faraone Remix in?
Vertigo - Marco Faraone Remix by Kevin de Vries is in D major, or 10B on the Camelot wheel.
What BPM is Vertigo - Marco Faraone Remix?
Vertigo - Marco Faraone Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Vertigo - Marco Faraone Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Vertigo - Marco Faraone Remix good for peak time?
With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More tech house
More from Kevin de Vries
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
