Call on me - Filterheadz Remix
30s preview
- Key
- 6A · G minor
- BPM
- 132
- Open Key
- 11m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2004
- Album
- Call On Me
- Genre
- House
- Loudness
- -10.0 dB
- Dynamics
- 13.0 dB
- ISRC
- GBCEN0400133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call on Me - Remasteredoriginal6B · 126
- Call On Me (Henrik B Remix)remix3A · 128
- Call on Meoriginal6B · 126
- Call On Me - Eric Prydz vs. Retarded Funk Mixoriginal1B · 126
- Call On Me - JJ Stockholm Club Mix Remixremix6B · 128
- Call on me - Red Kult Dub Pass 2 Mixversion9A · 128
Against the original (6B at 126 BPM), this version runs 6 BPM faster and moves the key from 6B to 6A.
Call on me - Filterheadz Remix: peak-time tempo house, G minor (6A), 132 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2004 production that still circulates in sets. More underground than 99% of Eric Prydz's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 93% of Eric Prydz's catalogue
- Brightness:
- brighter than 93% of Eric Prydz's catalogue
- Groove:
- groovier than 81% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Call on me - Filterheadz Remix in?
Call on me - Filterheadz Remix by Eric Prydz is in G minor, or 6A on the Camelot wheel.
What BPM is Call on me - Filterheadz Remix?
Call on me - Filterheadz Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Call on me - Filterheadz Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Call on me - Filterheadz Remix good for peak time?
With energy 76 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
