Blueprint by Chris Stussy cover art

Blueprint

Chris Stussy

30s preview

Key
10B · D major
BPM
132
Open Key
3d
Energy
80/100
Pop
43/100
Length
3:55
Released
2023
Genre
Deep House
Loudness
-8.5 dB
Dynamics
13.2 dB
ISRC
QMDA72355710

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo deep house cut, Blueprint sits in D major (10B) at 132 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 88% of Chris Stussy's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 81% of Chris Stussy's catalogue
Tempo:
faster than 80% of Chris Stussy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood64Balanced
Groove79
Acoustic0
Instrumental90
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Blueprint in?

Blueprint by Chris Stussy is in D major, or 10B on the Camelot wheel.

What BPM is Blueprint?

Blueprint runs at 132 BPM, a peak-time tempo track.

What mixes well with Blueprint?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Blueprint good for peak time?

With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More deep house

More from Chris Stussy

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track