Angie (i’ve been lost)
- Key
- 1B · B major
- BPM
- 132
- Open Key
- 6d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 4:01
- Released
- 2021
- Genre
- House
- Loudness
- -10.5 dB
- ISRC
- GB1302100464
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angie (i’ve been lost) [feat. Angie McMahon]original1B · 132
- Angie (Interlude)original1B · 111
At 132 BPM in B major (1B), Angie (i’ve been lost) is a peak-time tempo house production. It is vocal-led. The master keeps real dynamic headroom. More underground than 99% of Fred again's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Angie (i’ve been lost) in?
Angie (i’ve been lost) by Fred again is in B major, or 1B on the Camelot wheel.
What BPM is Angie (i’ve been lost)?
Angie (i’ve been lost) runs at 132 BPM, a peak-time tempo track.
What mixes well with Angie (i’ve been lost)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Angie (i’ve been lost) good for peak time?
With energy 81 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 132 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
