![Angie (i’ve been lost) [feat. Angie McMahon] by Fred again cover art](https://i.scdn.co/image/ab67616d00001e020f0e63e38a0ea92314ab9d7f)
Angie (i’ve been lost) [feat. Angie McMahon]
30s preview
- Key
- 1B · B major
- BPM
- 132
- Open Key
- 6d
- Energy
- 89/100
- Pop
- 10/100
- Length
- 4:45
- Released
- 2021
- Album
- Actual Life (April 14 - December 17 2020)
- Genre
- House
- Label
- Atlantic
- Loudness
- -9.3 dB
- Dynamics
- 11.0 dB
- ISRC
- GBAHS2100156
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angie (Interlude)original1B · 111
- Angie (i’ve been lost)original1B · 132
Angie (i’ve been lost) [feat. Angie McMahon] runs 132 BPM in B major (1B), a peak-time tempo house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 88% of Fred again's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 81% of Fred again's catalogue
- Low end:
- more bass-heavy than 77% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Angie (i’ve been lost) [feat. Angie McMahon] in?
Angie (i’ve been lost) [feat. Angie McMahon] by Fred again is in B major, or 1B on the Camelot wheel.
What BPM is Angie (i’ve been lost) [feat. Angie McMahon]?
Angie (i’ve been lost) [feat. Angie McMahon] runs at 132 BPM, a peak-time tempo track.
What mixes well with Angie (i’ve been lost) [feat. Angie McMahon]?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Angie (i’ve been lost) [feat. Angie McMahon] good for peak time?
With energy 89 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 132 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
