Can’t Stop the Feeling by Eli Brown cover art

Can’t Stop the Feeling

Eli Brown

Key
10A · B minor
BPM
132
Open Key
3m
Energy
90/100
Pop
31/100
Length
3:29
Released
2022
Genre
Techno
Loudness
-4.7 dB
ISRC
GBUR62000444

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Can’t Stop the Feeling is a peak-time tempo techno track in B minor (10A) at 132 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. Darker than 86% of Eli Brown's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 82% of Eli Brown's catalogue
Tempo:
faster than 79% of Eli Brown's catalogue
Energy:
calmer than 78% of Eli Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood23Dark
Groove67
Acoustic0
Instrumental19
Live6
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Can’t Stop the Feeling in?

Can’t Stop the Feeling by Eli Brown is in B minor, or 10A on the Camelot wheel.

What BPM is Can’t Stop the Feeling?

Can’t Stop the Feeling runs at 132 BPM, a peak-time tempo track.

What mixes well with Can’t Stop the Feeling?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Can’t Stop the Feeling good for peak time?

With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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