![2013–2016 [O-Ton Reassembled 1] by Luke Slater cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/02c0c226fa5a6874c0b3.webp)
2013–2016 [O-Ton Reassembled 1]
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 90/100
- Pop
- 28/100
- Length
- 7:46
- Released
- 2020
- Genre
- Techno
- Loudness
- -7.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
2013–2016 [O-Ton Reassembled 1] is a peak-time tempo techno track in G major (9B) at 132 BPM. The mix is almost entirely instrumental. Better known than 90% of Luke Slater's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 75% of Luke Slater's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 2013–2016 [O-Ton Reassembled 1] in?
2013–2016 [O-Ton Reassembled 1] by Luke Slater is in G major, or 9B on the Camelot wheel.
What BPM is 2013–2016 [O-Ton Reassembled 1]?
2013–2016 [O-Ton Reassembled 1] runs at 132 BPM, a peak-time tempo track.
What mixes well with 2013–2016 [O-Ton Reassembled 1]?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is 2013–2016 [O-Ton Reassembled 1] good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![2016–2017 [O-Ton Reassembled 4] by Luke Slater cover art](https://i.scdn.co/image/ab67616d00001e02a4fc38784ed7e03a14d865ef){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
