Appetite (extended mix)
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 90/100
- Pop
- 68/100
- Length
- 3:47
- Released
- 2025
- Genre
- House
- Loudness
- -5.6 dB
- Dynamics
- 16.5 dB
- ISRC
- QT47L2500018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Appetite (extended mix): peak-time tempo house, C major (8B), 132 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). Better known than 98% of Chris Lorenzo's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of Chris Lorenzo's catalogue
- Tempo:
- faster than 92% of Chris Lorenzo's catalogue
- Energy:
- hotter than 76% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Appetite (extended mix) in?
Appetite (extended mix) by Chris Lorenzo is in C major, or 8B on the Camelot wheel.
What BPM is Appetite (extended mix)?
Appetite (extended mix) runs at 132 BPM, a peak-time tempo track.
What mixes well with Appetite (extended mix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Appetite (extended mix) good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.