Ghosts (extended mix) by Chris Lorenzo cover art

Ghosts (extended mix)

Chris Lorenzo

30s preview

Key
8B · C major
BPM
135
Open Key
1d
Energy
84/100
Pop
40/100
Length
2:56
Released
2024
Genre
House
Loudness
-6.2 dB
Dynamics
11.3 dB
ISRC
USQX92400711

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ghosts (extended mix) is a driving up-tempo house track in C major (8B) at 135 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 93% of Chris Lorenzo's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 88% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood73Bright
Groove82
Acoustic9
Instrumental6
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Ghosts (extended mix) in?

Ghosts (extended mix) by Chris Lorenzo is in C major, or 8B on the Camelot wheel.

What BPM is Ghosts (extended mix)?

Ghosts (extended mix) runs at 135 BPM, a driving up-tempo track.

What mixes well with Ghosts (extended mix)?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Ghosts (extended mix) good for peak time?

With energy 84 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 135 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

More house

More from Chris Lorenzo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track