Bel Mercy - Deborah de Luca Remix
30s preview
- BPM
- 135
- Open Key
- 4d
- Energy
- 83/100
- Pop
- 46/100
- Length
- 3:14
- Released
- 2023
- Album
- Bel Mercy (Deborah de Luca Remix)
- Genre
- Techno
- Loudness
- -9.0 dB
- Dynamics
- 8.8 dB
- ISRC
- GBAYE2300527
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 135 BPM in A major (11B), Bel Mercy - Deborah de Luca Remix is a driving up-tempo techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 97% of Deborah de Luca's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 97% of Deborah de Luca's catalogue
- Brightness:
- darker than 87% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Bel Mercy - Deborah de Luca Remix in?
Bel Mercy - Deborah de Luca Remix by Deborah de Luca is in A major, or 11B on the Camelot wheel.
What BPM is Bel Mercy - Deborah de Luca Remix?
Bel Mercy - Deborah de Luca Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Bel Mercy - Deborah de Luca Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Bel Mercy - Deborah de Luca Remix good for peak time?
With energy 83 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
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How to mix it
In 11B at 135 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
