California Dreamin’ (feat. High Jinx) (Vintage Culture Remix)
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 78/100
- Pop
- 52/100
- Length
- 3:04
- Released
- 2021
- Genre
- House
- Loudness
- -5.3 dB
- Dynamics
- 9.5 dB
- ISRC
- USUG12106040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- California Dreamin' (feat. High Jinx) (Cages Remix)remix12A · 125
- California Dreamin' (feat. High Jinx) (LP Giobbi Remix)remix1B · 126
- California Dreamin’original11B · 128
Against the original (11B at 128 BPM), this version holds the same tempo and moves the key from 11B to 3B.
A peak-time tempo house cut, California Dreamin’ (feat. High Jinx) (Vintage Culture Remix) sits in D♭ major (3B) at 128 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Chris Lorenzo's catalogue.
- Reach:
- better known than 94% of Chris Lorenzo's catalogue
- Groove:
- less groove-driven than 86% of Chris Lorenzo's catalogue
- Low end:
- more bass-heavy than 82% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is California Dreamin’ (feat. High Jinx) (Vintage Culture Remix) in?
California Dreamin’ (feat. High Jinx) (Vintage Culture Remix) by Chris Lorenzo is in D♭ major, or 3B on the Camelot wheel.
What BPM is California Dreamin’ (feat. High Jinx) (Vintage Culture Remix)?
California Dreamin’ (feat. High Jinx) (Vintage Culture Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with California Dreamin’ (feat. High Jinx) (Vintage Culture Remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is California Dreamin’ (feat. High Jinx) (Vintage Culture Remix) good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
