Criminals Move In Silence - Extended Mix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 5:17
- Released
- 2024
- Album
- Criminals Move In Silence (Extended Mix)
- Genre
- Tech House
- Loudness
- -7.0 dB
- Dynamics
- 12.6 dB
- ISRC
- US38Y2421094
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Criminals Move in Silenceoriginal10A · 128
Against the original (10A at 128 BPM), this version holds the same tempo in the same key.
Criminals Move In Silence - Extended Mix runs 128 BPM in B minor (10A), a peak-time tempo tech house record. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of GENESI's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- calmer than 81% of GENESI's catalogue
- Brightness:
- brighter than 81% of GENESI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Criminals Move In Silence - Extended Mix in?
Criminals Move In Silence - Extended Mix by GENESI is in B minor, or 10A on the Camelot wheel.
What BPM is Criminals Move In Silence - Extended Mix?
Criminals Move In Silence - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Criminals Move In Silence - Extended Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Criminals Move In Silence - Extended Mix good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from GENESI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
