That Frequency by Nu Zau cover art

That Frequency

Nu Zau

30s preview

Key
8A · A minor
BPM
128
Open Key
1m
Energy
77/100
Pop
0/100
Length
4:04
Released
2025
Album
Control the Pressure
Genre
Minimal
Loudness
-9.8 dB
Dynamics
11.3 dB
ISRC
DEH742531611

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

That Frequency is a peak-time tempo minimal track in A minor (8A) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Nu Zau's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 92% of Nu Zau's catalogue
Tempo:
faster than 89% of Nu Zau's catalogue
Groove:
less groove-driven than 87% of Nu Zau's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood74Bright
Groove80
Acoustic0
Instrumental14
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is That Frequency in?

That Frequency by Nu Zau is in A minor, or 8A on the Camelot wheel.

What BPM is That Frequency?

That Frequency runs at 128 BPM, a peak-time tempo track.

What mixes well with That Frequency?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is That Frequency good for peak time?

With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More minimal

More from Nu Zau

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track