Replay - Suspect One Remix
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2012
- Album
- Replay
- Genre
- Tech House
- Loudness
- -6.7 dB
- Dynamics
- 11.2 dB
- ISRC
- GBKQU1219030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Replay - Original Mixoriginal8B · 125
Against the original (8B at 125 BPM), this version runs 3 BPM faster and moves the key from 8B to 4A.
Replay - Suspect One Remix is a peak-time tempo tech house track in F minor (4A) at 128 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Brighter than 99% of Plastic Robots's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Plastic Robots's catalogue
- Tempo:
- faster than 92% of Plastic Robots's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Replay - Suspect One Remix in?
Replay - Suspect One Remix by Plastic Robots is in F minor, or 4A on the Camelot wheel.
What BPM is Replay - Suspect One Remix?
Replay - Suspect One Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Replay - Suspect One Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Replay - Suspect One Remix good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Plastic Robots
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
