Yelling at the Ghost
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 88/100
- Pop
- 22/100
- Length
- 4:06
- Released
- 2026
- Genre
- Tech House
- Loudness
- -6.7 dB
- Dynamics
- 10.4 dB
- ISRC
- US83Z2619510
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in F♯ minor (11A), Yelling at the Ghost is a peak-time tempo tech house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Plastic Robots's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Plastic Robots's catalogue
- Energy:
- hotter than 90% of Plastic Robots's catalogue
- Tempo:
- faster than 88% of Plastic Robots's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Yelling at the Ghost in?
Yelling at the Ghost by Plastic Robots is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Yelling at the Ghost?
Yelling at the Ghost runs at 127 BPM, a peak-time tempo track.
What mixes well with Yelling at the Ghost?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Yelling at the Ghost good for peak time?
With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Plastic Robots
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
