Hell Yeah by Chris Lorenzo cover art

Hell Yeah

Chris Lorenzo

30s preview

Key
12B · E major
BPM
130
Open Key
5d
Energy
91/100
Pop
57/100
Length
3:32
Released
2026
Genre
House
Loudness
-4.0 dB
Dynamics
10.3 dB
ISRC
CBEFB2600012
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Hell Yeah runs 130 BPM in E major (12B), a peak-time tempo house record. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of Chris Lorenzo's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 93% of Chris Lorenzo's catalogue
Energy:
hotter than 81% of Chris Lorenzo's catalogue
Tempo:
faster than 79% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood89Bright
Groove83
Acoustic1
Instrumental0
Live23
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Hell Yeah in?

Hell Yeah by Chris Lorenzo is in E major, or 12B on the Camelot wheel.

What BPM is Hell Yeah?

Hell Yeah runs at 130 BPM, a peak-time tempo track.

What mixes well with Hell Yeah?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Hell Yeah good for peak time?

With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 130 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More house

#Track

More from Chris Lorenzo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track