Good Times by Mikey Lion cover art

Good Times

Mikey Lion

30s preview

Key
10A · B minor
BPM
130
Open Key
3m
Energy
92/100
Pop
34/100
Length
3:56
Released
2024
Genre
Tech House
Loudness
-8.0 dB
Dynamics
10.5 dB
ISRC
US83Z2471986

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Good Times sits in B minor (10A) at 130 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Mikey Lion's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 88% of Mikey Lion's catalogue
Energy:
hotter than 80% of Mikey Lion's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood66Bright
Groove80
Acoustic2
Instrumental89
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Good Times in?

Good Times by Mikey Lion is in B minor, or 10A on the Camelot wheel.

What BPM is Good Times?

Good Times runs at 130 BPM, a peak-time tempo track.

What mixes well with Good Times?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Good Times good for peak time?

With energy 92 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More tech house

More from Mikey Lion

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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