Your Bad Self by Mikey Lion cover art

Your Bad Self

Mikey Lion

30s preview

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
92/100
Pop
15/100
Length
5:16
Released
2024
Genre
Tech House
Loudness
-6.4 dB
Dynamics
9.3 dB
ISRC
US83Z2482935

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Your Bad Self runs 128 BPM in F♯ minor (11A), a peak-time tempo tech house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 96% of Mikey Lion's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 91% of Mikey Lion's catalogue
Energy:
hotter than 82% of Mikey Lion's catalogue
Low end:
more treble-tilted than 77% of Mikey Lion's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood93Bright
Groove77
Acoustic0
Instrumental66
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Your Bad Self in?

Your Bad Self by Mikey Lion is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Your Bad Self?

Your Bad Self runs at 128 BPM, a peak-time tempo track.

What mixes well with Your Bad Self?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Your Bad Self good for peak time?

With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Mikey Lion

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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