When I'm With You
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 77/100
- Pop
- 20/100
- Length
- 4:37
- Released
- 2021
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 11.6 dB
- ISRC
- US83Z2112731
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- When I'm With You - Extended Mixversion3B · 126
When I'm With You runs 126 BPM in D♭ major (3B), a club-tempo tech house record. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 95% of Mikey Lion's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 86% of Mikey Lion's catalogue
- Groove:
- less groove-driven than 80% of Mikey Lion's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is When I'm With You in?
When I'm With You by Mikey Lion is in D♭ major, or 3B on the Camelot wheel.
What BPM is When I'm With You?
When I'm With You runs at 126 BPM, a club-tempo track.
What mixes well with When I'm With You?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is When I'm With You good for peak time?
With energy 77 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
