Double Trouble - AlBird Remix
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 78/100
- Pop
- 1/100
- Length
- 6:11
- Released
- 2019
- Album
- Double Trouble
- Genre
- Techno
- Loudness
- -9.5 dB
- Dynamics
- 9.5 dB
- ISRC
- DEY471981469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Double Troubleoriginal2B · 130
- Double Trouble - Alberto Ruiz Remixremix8B · 130
Against the original (2B at 130 BPM), this version runs 4 BPM slower and moves the key from 2B to 8A.
Double Trouble - AlBird Remix runs 126 BPM in A minor (8A), a club-tempo techno record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 86% of Simina Grigoriu's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 78% of Simina Grigoriu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Double Trouble - AlBird Remix in?
Double Trouble - AlBird Remix by Simina Grigoriu is in A minor, or 8A on the Camelot wheel.
What BPM is Double Trouble - AlBird Remix?
Double Trouble - AlBird Remix runs at 126 BPM, a club-tempo track.
What mixes well with Double Trouble - AlBird Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Double Trouble - AlBird Remix good for peak time?
With energy 78 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Simina Grigoriu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
