Calling East by Monika Kruse cover art

Calling East

Monika Kruse

30s preview

Key
3A · B♭ minor
BPM
126
Open Key
8m
Energy
76/100
Pop
0/100
Length
6:48
Released
2013
Album
Calling East / Trooper
Genre
Techno
Loudness
-6.0 dB
Dynamics
9.7 dB
ISRC
DEAA21300032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in B♭ minor (3A), Calling East is a club-tempo techno production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Monika Kruse's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 76% of Monika Kruse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood46Balanced
Groove75
Acoustic0
Instrumental90
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Calling East in?

Calling East by Monika Kruse is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Calling East?

Calling East runs at 126 BPM, a club-tempo track.

What mixes well with Calling East?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Calling East good for peak time?

With energy 76 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Monika Kruse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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