Keep On
30s preview
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 7:37
- Released
- 2018
- Genre
- Tech House
- Loudness
- -14.7 dB
- Dynamics
- 12.4 dB
- ISRC
- DEUD41813116
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep On - Anatolkin Remixremix9A · 124
Keep On: club-tempo tech house, E minor (9A), 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Yulia Niko's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 87% of Yulia Niko's catalogue
- Tempo:
- faster than 75% of Yulia Niko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Keep On in?
Keep On by Yulia Niko is in E minor, or 9A on the Camelot wheel.
What BPM is Keep On?
Keep On runs at 126 BPM, a club-tempo track.
What mixes well with Keep On?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Keep On good for peak time?
With energy 76 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Yulia Niko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
