Stockholm Summer Cruise - Original Mix by Joel Mull cover art

Stockholm Summer Cruise - Original Mix

Joel Mull

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
76/100
Pop
0/100
Length
7:44
Released
2010
Album
High Coast Highway
Genre
Techno
Loudness
-10.3 dB
ISRC
GBYNV1000599

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in D♭ major (3B), Stockholm Summer Cruise - Original Mix is a club-tempo techno production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 76% of Joel Mull's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood44Balanced
Groove80
Acoustic0
Instrumental85
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Stockholm Summer Cruise - Original Mix in?

Stockholm Summer Cruise - Original Mix by Joel Mull is in D♭ major, or 3B on the Camelot wheel.

What BPM is Stockholm Summer Cruise - Original Mix?

Stockholm Summer Cruise - Original Mix runs at 126 BPM, a club-tempo track.

What mixes well with Stockholm Summer Cruise - Original Mix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Stockholm Summer Cruise - Original Mix good for peak time?

With energy 76 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Joel Mull

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track