We Don't Know Anything Yet (feat. Frangie)
30s preview
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 99/100
- Pop
- 5/100
- Length
- 6:20
- Released
- 2021
- Genre
- Techno
- Loudness
- -5.1 dB
- Dynamics
- 8.7 dB
- ISRC
- GBUR62000220
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Don't Know Anything Yet (Adam Beyer remix)remix9B · 132
- We Don't Know Anything Yet - Adam Beyer Remixremix9B · 132
At 132 BPM in G major (9B), We Don't Know Anything Yet (feat. Frangie) is a peak-time tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 99% of Joel Mull's catalogue.
- Groove:
- less groove-driven than 91% of Joel Mull's catalogue
- Reach:
- better known than 91% of Joel Mull's catalogue
- Low end:
- more treble-tilted than 87% of Joel Mull's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is We Don't Know Anything Yet (feat. Frangie) in?
We Don't Know Anything Yet (feat. Frangie) by Joel Mull is in G major, or 9B on the Camelot wheel.
What BPM is We Don't Know Anything Yet (feat. Frangie)?
We Don't Know Anything Yet (feat. Frangie) runs at 132 BPM, a peak-time tempo track.
What mixes well with We Don't Know Anything Yet (feat. Frangie)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is We Don't Know Anything Yet (feat. Frangie) good for peak time?
With energy 99 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Saturn - [ Wex 10 ] Remix by Spartaque cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/7cec20a157790a6f4084.webp){kind=small}
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
