Sweet Harmony by Bart Skils cover art

Sweet Harmony

Bart Skils

30s preview

Key
8A · A minor
BPM
132
Open Key
1m
Energy
96/100
Pop
0/100
Length
4:07
Released
2025
Genre
Techno
Loudness
-5.5 dB
Dynamics
9.8 dB
ISRC
QZUCN2202395

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Sweet Harmony is a peak-time tempo techno track in A minor (8A) at 132 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Bart Skils's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 89% of Bart Skils's catalogue
Energy:
hotter than 83% of Bart Skils's catalogue
Tempo:
faster than 83% of Bart Skils's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood33Balanced
Groove62
Acoustic0
Instrumental24
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Sweet Harmony in?

Sweet Harmony by Bart Skils is in A minor, or 8A on the Camelot wheel.

What BPM is Sweet Harmony?

Sweet Harmony runs at 132 BPM, a peak-time tempo track.

What mixes well with Sweet Harmony?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Sweet Harmony good for peak time?

With energy 96 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More techno

More from Bart Skils

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track