Seduction by Oscar L cover art

Seduction

Oscar L

30s preview

Key
3B · D♭ major
BPM
132
Open Key
8d
Energy
95/100
Pop
18/100
Length
3:35
Released
2024
Genre
Tech House
Loudness
-6.2 dB
Dynamics
10.5 dB
ISRC
BENU72400042

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 132 BPM in D♭ major (3B), Seduction is a peak-time tempo tech house production. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 98% of Oscar L's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 93% of Oscar L's catalogue
Reach:
better known than 93% of Oscar L's catalogue
Brightness:
darker than 85% of Oscar L's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood7Dark
Groove60
Acoustic1
Instrumental0
Live36
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Seduction in?

Seduction by Oscar L is in D♭ major, or 3B on the Camelot wheel.

What BPM is Seduction?

Seduction runs at 132 BPM, a peak-time tempo track.

What mixes well with Seduction?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Seduction good for peak time?

With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

More from Oscar L

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track