Obsidian - Oscar L Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 83/100
- Pop
- 21/100
- Length
- 6:33
- Released
- 2022
- Album
- Obsidian (Oscar L Remix)
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 9.4 dB
- ISRC
- UKU932255713
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Obsidian - Oscar L Remixremix4A · 128
At 128 BPM in D♭ major (3B), Obsidian - Oscar L Remix is a peak-time tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Oscar L's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 95% of Oscar L's catalogue
- Low end:
- more bass-heavy than 94% of Oscar L's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Obsidian - Oscar L Remix in?
Obsidian - Oscar L Remix by Oscar L is in D♭ major, or 3B on the Camelot wheel.
What BPM is Obsidian - Oscar L Remix?
Obsidian - Oscar L Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Obsidian - Oscar L Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Obsidian - Oscar L Remix good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Oscar L
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
