The Greatest Scratch
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 84/100
- Pop
- 1/100
- Length
- 4:56
- Released
- 2024
- Genre
- Tech House
- Loudness
- -4.0 dB
- Dynamics
- 13.5 dB
- ISRC
- DGA082468299
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Greatest Scratch is a peak-time tempo tech house track in D major (10B) at 128 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 95% of Marc DePulse's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 94% of Marc DePulse's catalogue
- Energy:
- hotter than 78% of Marc DePulse's catalogue
- Brightness:
- brighter than 76% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is The Greatest Scratch in?
The Greatest Scratch by Marc DePulse is in D major, or 10B on the Camelot wheel.
What BPM is The Greatest Scratch?
The Greatest Scratch runs at 128 BPM, a peak-time tempo track.
What mixes well with The Greatest Scratch?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Greatest Scratch good for peak time?
With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
