Swing Theory - Black Loops Radio Edit
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 83/100
- Pop
- 11/100
- Length
- 4:00
- Released
- 2020
- Album
- Swing Theory EP
- Genre
- Tech House
- Loudness
- -8.9 dB
- Dynamics
- 9.4 dB
- ISRC
- GBKQU2060677
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Swing Theory - Radio Editversion11A · 129
Swing Theory - Black Loops Radio Edit is a peak-time tempo tech house track in D♭ minor (12A) at 128 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 89% of Sidney Charles's catalogue.
- Brightness:
- darker than 87% of Sidney Charles's catalogue
- Reach:
- better known than 76% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Swing Theory - Black Loops Radio Edit in?
Swing Theory - Black Loops Radio Edit by Sidney Charles is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Swing Theory - Black Loops Radio Edit?
Swing Theory - Black Loops Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Swing Theory - Black Loops Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Swing Theory - Black Loops Radio Edit good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
