
112 - Max Styler Remix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 4/100
- Length
- 6:45
- Released
- 2021
- Album
- Anthony Attalla Remixed
- Genre
- Tech House
- Loudness
- -7.1 dB
- Dynamics
- 11.0 dB
- ISRC
- QMPLY2100019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 112original10A · 128
Against the original (10A at 128 BPM), this version holds the same tempo and moves the key from 10A to 11A.
112 - Max Styler Remix: peak-time tempo tech house, F♯ minor (11A), 128 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 89% of Anthony Attalla's catalogue.
- Tempo:
- faster than 87% of Anthony Attalla's catalogue
- Energy:
- calmer than 80% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is 112 - Max Styler Remix in?
112 - Max Styler Remix by Anthony Attalla is in F♯ minor, or 11A on the Camelot wheel.
What BPM is 112 - Max Styler Remix?
112 - Max Styler Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with 112 - Max Styler Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is 112 - Max Styler Remix good for peak time?
With energy 81 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.