Private Shots - Radio Edit
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 99/100
- Pop
- 8/100
- Length
- 3:33
- Released
- 2025
- Album
- Money Gun / Private Shots
- Genre
- Tech House
- Loudness
- -5.1 dB
- Dynamics
- 10.5 dB
- ISRC
- QMPLY2500026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Private Shots - Radio Edit runs 128 BPM in C major (8B), a peak-time tempo tech house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 94% of Anthony Attalla's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 93% of Anthony Attalla's catalogue
- Tempo:
- faster than 87% of Anthony Attalla's catalogue
- Low end:
- more treble-tilted than 82% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Private Shots - Radio Edit in?
Private Shots - Radio Edit by Anthony Attalla is in C major, or 8B on the Camelot wheel.
What BPM is Private Shots - Radio Edit?
Private Shots - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Private Shots - Radio Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Private Shots - Radio Edit good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
