Dark Noise - Fears for Tears Remix
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2017
- Album
- Remote Control (Remixed)
- Genre
- Deep House
- Loudness
- -6.0 dB
- Dynamics
- 10.4 dB
- ISRC
- NLF711703941
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dark Noiseoriginal9A · 123
- Dark Noise - ME & her Extended Remixremix10B · 123
- Dark Noise - ME & her Remixremix10B · 123
- Dark Noiseoriginal9A · 123
- Dark Noise (Mix Edit)version9A · 121
- Dark Noise - Animal Trainer Remixremix9A · 122
Against the original (9A at 123 BPM), this version runs 5 BPM faster and moves the key from 9A to 10B.
Dark Noise - Fears for Tears Remix runs 128 BPM in D major (10B), a peak-time tempo deep house record. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Hotter than 99% of Jan Blomqvist's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 99% of Jan Blomqvist's catalogue
- Reach:
- more underground than 99% of Jan Blomqvist's catalogue
- Brightness:
- darker than 85% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dark Noise - Fears for Tears Remix in?
Dark Noise - Fears for Tears Remix by Jan Blomqvist is in D major, or 10B on the Camelot wheel.
What BPM is Dark Noise - Fears for Tears Remix?
Dark Noise - Fears for Tears Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Dark Noise - Fears for Tears Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Dark Noise - Fears for Tears Remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
