When I'm With You - A-Divizion Remix
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2013
- Album
- When I'm With You
- Genre
- Progressive House
- Loudness
- -2.9 dB
- Dynamics
- 12.9 dB
- ISRC
- CAPA31300713
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- When I'm With You - Original Mixoriginal7B · 125
- When I'm With You - Utku S. Remixremix6A · 140
Against the original (7B at 125 BPM), this version runs 3 BPM faster and moves the key from 7B to 6B.
A peak-time tempo progressive house cut, When I'm With You - A-Divizion Remix sits in B♭ major (6B) at 128 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More underground than 99% of Dezza's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of Dezza's catalogue
- Low end:
- more treble-tilted than 79% of Dezza's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is When I'm With You - A-Divizion Remix in?
When I'm With You - A-Divizion Remix by Dezza is in B♭ major, or 6B on the Camelot wheel.
What BPM is When I'm With You - A-Divizion Remix?
When I'm With You - A-Divizion Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with When I'm With You - A-Divizion Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is When I'm With You - A-Divizion Remix good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Dezza
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
